You know how your own voice always sounds so strange when you hear it recorded? Well, my voice in my head always sounds warmer and deeper to me than it does in real life. Not surprisingly, that is also how the voice of my main protagonist, Annie Fuller, sounds to me. This difference between my real voice and what I think Annie should sound like is one of the reasons I would never narrate my own books.
Unfortunately, the narrator of my first book in my Victorian San Francisco Mystery series didn’t produce a voice that satisfied me—or many of my fans, so I put off getting Uneasy Spirits, the second book in the series, narrated for some time.
Then, at a local book club in town, I met Alexandra Haag, a professional narrator, and I fell in love with her voice. Here was the warm, rich tones I envisioned for Annie Fuller. I also liked the idea of working with someone local. This has worked very well for me with my cover designer, Michelle Huffaker, and I looked forward to duplicating this experience.
Alexandra Haag and I first collaborated on the short stories connected to the series, getting feed-back from fans who have their own ideas about what my characters should sound like. Links to the audiobooks of Dandy Detects, The Misses Moffet Mend a Marriage, and Mr. Wong Rights a Wrong, individually, or as part of the Victorian San Francisco Stories (a collection of these stories) can be found here. As a bonus, currently, if you already have a Kindle copy of any of these—you can get the audio versions for $1.99!
However, what I am most excited about is Ms. Haag’s production of the second full-length book in my Victorian San Francisco Mystery series, Uneasy Spirits, which has just come available as an audiobook on Audible, Amazon.com,and iTunes.
I thought that this might be a good time to interview Alexandra Haag about what it is like to be a professional narrator and to narrate a long work of historical fiction such as Uneasy Spirits. Here is what Ms. Haag had to say!
How did you become involved with making audio books?
By the time I first considered audiobook narration, I had read the newspaper on our local PBS Radio Reading Service for about three years and was a lector at my church for many years. I’d received some very kind encouragement about my presentation which “primed the pump,” so to speak, for exploring voice work.
There was a book that the afore-mentioned book club had read that I thought should be in audio format but wasn’t. So I began to explore how to get that done. One thing led to another and here I am! But that book never did get published as an audiobook – maybe the publisher didn’t think there was a huge market for the work of a 14th century mystic; go figure.
What special qualities to you personally bring to your work?