I am proud to announce that Deadly Proof, the fourth book in my Victorian San Francisco Mystery Series, is now available for sale (see links below).
As with the other three novels in this series, Deadly Proof finds Annie Fuller and her beau, Nate Dawson, investigating a crime that will lead them (and the reader) into an exploration of the lives of working women in the late 19th century—in this case women who held jobs in the printing industry.
If you read my last two posts on my marketing strategy for 2015, you will know that I decided to take all my full-length books out of KDP Select and upload them everywhere and make the first book perma-free. My hope was that this strategy would provide a fertile field for this newly published book. So far, my hopes have been realized.
First of all, Maids of Misfortune, the perma-free book, is still being downloaded at a nice pace, making it highly visible in the popularity lists on Amazon and on the free lists in the iBook and Barnes and Noble stores, and I can see sell-through going on. The sales of the second book in the series, Uneasy Spirits, and now the third, Bloody Lessons, have been increasing each week. And now, some of these new fans of the series should be just about ready to try this new book.
Second, while more complicated than back in the day when I only had to upload my books on Amazon, the process of uploading Deadly Proof for publication in multiple online stores was quite easy since I had recently gone through the process for my other novels and my short story collection.
In addition to KDP and CreateSpace, I used the distribution service Draft2Digital to get Deadly Proof into the Nook, iBooks, Kobo, and Page Foundry bookstores and into the subscription service Scribd. I also uploaded the epub that Draft2Digital generated iinto GooglePlay, and then used Smashwords to make it available on various library channels and the subscription service Oyster.
This process was also made easier because my books are very simply formatted––no drop down caps, special fonts, or illustrations, and I start with a word document for the ebook editions and a pdf for the print edition—both generated from Scrivener. Besides making sure that I didn’t have Amazon-specific links in any of the books I was uploading elsewhere and making a few changes in the front and back matter, there wasn’t much work to change the word document from the Kindle edition to upload elsewhere.
Deadly Proof went live in less than 12 hours on KDP, Apple, Scribd, Page Foundry, and Smashwords and it took a less than 24 hours to go live on Nook and Kobo. The CreateSpace print edition took four days to go live. In short, within seven days of getting my book back from the editor–it was published everywhere.
When you consider the time between the final edit of a book and publication for traditionally published books–this is essentially going the speed of light!
And this brings me to the puzzling question of why an author would decide to only offer their books in the two or three largest online stores. Yet I read statements by authors on various author forums asking whether or not they should bother putting a book up on GoglePlay or trying to decide whether to use Smashwords or Draft2Digital–instead of using both.
While I understand and have quite frequently discussed the benefits of going exclusively with Amazon through KDP Select, what doesn’t make sense to me is not making a book available in as many on-line stores as possible when you haven’t gone the exclusive route. Even if the number of sales from a particular store are small. A sale is a sale—and each sale is potentially someone who will eventually by some of your other books.
For example, in the ten days in December that the second book in my series, Uneasy Spirits, was on sale as an ebook in the Barnes and Nobel online store, I sold nine copies and made $26.73. Not an overwhelming amount of income, yet it took me less than a half an hour total to upload, preview, and publish this book through Draft2Digital so this is decent rate of hourly pay. Even if I never sold another copy of the book in this bookstore. But I did sell more copies; in January I sold 143 copies of Uneasy Spirits for the Nook, making over $400, and those sales didn’t cost me anything more in terms of time or money.
I don’t even regret the fact that my sales of Uneasy Spirits haven’t been nearly as successful on GooglePlay (I sold only eight copies of Uneasy Spirits there in January) because all I risked in putting that book up on GooglePlay was, at most, an hour of my time. And since there have been 3500 downloads of Maids of Misfortune, the perma-free book in my series, on GooglePlay, I assume that some of the people who downloaded this book will go on to buy and read Uneasy Spirits, Bloody Lessons and, in time, Deadly Proof. This is a long game–but isn’t that one of the benefits of ebooks–that we can afford as authors to play that long game.
Finally, as part of this more organic approach to selling, I have done what you might call a slow launch of Deadly Proof. No virtual book tour, no facebook event, no expensive promotional campaign.
I had already decided not to put the book up for pre-order because I wanted to make Deadly Proof available as soon as possible after I got it back from my editor and made the final corrections. It had been a year an a half since I published Bloody Lessons, the book before Deadly Proof, and I felt I shouldn’t keep fans of the series waiting a day longer than necessary. These are the readers I am most interested in reaching at this time. And I quite frankly love getting messages from them as the buy the book and start reading.
Consequently I only announced the availability of Deadly Proof on my facebook pages, on a few mystery facebook sites, and in my newsletter (and now here on my blog). All places where I am likely to encounter people who have already read the earlier books in the series. The hope is that over the next few weeks I will get enough sales from these fans of the series so that the book will achieve some visibility in the popularity category lists on Amazon (which rewards steady sales rather than rapid spikes) and begin to garner positive reviews.
So far so good. In the five days it has been available, I have sold over 200 copies of Deadly Proof on Amazon, and 35 outside of Amazon, it is showing up in the top 100 best seller lists in most of my main categories on Amazon, and I have 2 5-star reviews.
Once I feel I have gotten enough reviews, I will then start on the next stage of spending some money to promote the book. And meanwhile, I will be thanking my lucky stars that I am an indie author who doesn’t have to worry that if I don’t have enough sales in the first weeks of publication that this means that my book is dead in the water or that my chances of getting another book contract has been ruined.
M. Louisa Locke, February 21, 2015
Deadly Proof: A Victorian San Francisco Mystery (Book 4) is now available in the following stores.
eBook: Kindle Nook Apple Kobo GooglePlay Scribd Page Foundry Smashwords
5 Replies to “Deadly Proof–anatomy of a book launch”
I’m about 30% through with Deadly Proof and love it. I think putting your books on all available book selling sites is the best plan. Not everyone uses Amazon, though most do.
YAY! And thanks for the linkâ¦ I so appreciate this series! Stevie
Great information! I’m an indie author myself.
I find this interesting because, as a consumer, I find Amazon difficult to navigate when looking for books by previously read authors or when looking for new authors within a genre. They have no way to weed out non-English titles, books previously published not as ebooks and in spite of the fact that erotic romance is its own sub-genre, always include many in general historical romance. I found your books through a recommendation by a romance author I follow on facebook(although I don’t remember which one) . It caught my eye because my grandfather was in San Francisco attending college during the 1906 earthquake and took many photos of the damage, so I already had a mental image of the city at the turn of the century. I depend on author facebook postings and recommendations, or word of mouth from friends, for most of my reading at this point. Of course, I am only one person and may be odd, but it would seem word of mouth(or written word such as friends’ Goodreads or other reviews) is a big factor in publicity, one which an official publisher would have minimal control.