Day in a Life of an Indie Author

In the countdown to publication of Bloody Lessons, my days are filled with the work of getting the final draft formatted, proofed, and ready to upload for both print and ebook. At the same time I am also working on lining up various promotional activities, including writing more frequently for my blog. Yesterday, as I thought about the various tasks I had to do, it occurred to me that some of you who aren’t self-published authors might find it interesting to get a glimpse into what a the day in the life of an indie author is like. You will notice that no writing (except for this blog) went on, but I did put in an 8 hour day. (And it is days like this that make it clear to me that I didn’t retire, I just launched a new Read more…

Authors Need to Get a Clue: How to devise the best marketing strategy for the Holidays

Everywhere the discussion is raging among indie authors: should they sign their books up for KDP Select for the holidays or not? This is an important decision because, if last holiday is any guide, the bulk of ebook sales are going to come in the ninety days after December 25, when huge numbers of new ereaders and tablets of all sorts are found gift-wrapped under the tree. On the surface the decision should be easy. If the vast majority of a specific ebook’s sales are on Amazon, if you have enrolled the ebook in KDP Select program before and achieved a decent number of borrows (for example, more than the total number of ebooks you were selling in non-Amazon stores), and if you held free promotions that increased your sales––then probably it would be a smart move (at least financially) to Read more…

Update on Categories and Keywords: Why authors should still care

A year ago (October 2011), I wrote a piece entitled Categories, Key words, and Tags, Oh My!: Why Should an Author Care?, which has become the most frequently viewed post on my blog. It has been reposted numerous times, and I still get comments on it weekly. There is a reason for this. The subject is complicated, confusing, and yet crucial to selling a book successfully online. While most of the original post is still relevant, it seemed time to update it, with the special addition of a section on how categories play a role in KDP Select promotions. For those of you who never read the original, I hope this helps. For those of you who did, I hope I have clarified a few sections and added some useful information. This post focuses on ebooks on Amazon (although the Read more…

My brief experiment going off KDP Select: At least I got this nifty blog piece out of it!

So… I lasted only a month off of KDP Select. It was an eye-opening experience. I knew that I would lose sales on Amazon without the borrows and KDP free days to keep my books visible on the historical mystery bestseller lists, but my hope was that I would be building enough sales on Barnes and Noble, Kobo, and the Smashwords affiliates, to make up for these lost sales. I even told myself I was willing to accept lower overall sales for 2-3 months in order to test the idea that having my book on multiple sites (even if the sales on those sites were lower, on average, than on Kindle) was a workable alternative to exclusivity on Amazon, which is what KDP Select requires. But this was predicated on being able to figure out how to get my books, Read more…

Why being in the KDP Select is not a bad business decision — For Me.

My two historical mysteries, Maids of Misfortune and Uneasy Spirits, have come to the end of their first 3 months as part of the KDP Select program, and I have decided to re-enroll them. I know that a good number of authors are facing the question to re-enroll or not, (or to enroll at all) so I thought I would discuss why I have come to that decision, particularly in light of the persistent argument made by a number of self-publishing authors that KDP Select is a bad strategy for authors. Just this week, as I was making the decision to re-enroll my books in the KDP Select Program, I read a post by Kristine Kathryn Rusch, where she made the following argument. “The key to developing an audience is to stop searching for one audience. The key to developing Read more…